In February 2008 Nuke 5 was released with an entirely new user interface, support for stereoscopic images and python scripting. In March 2007 Nuke 4.6 became part of The FoundryвЂ™s portfolio of visual effects products. It is an application focused on solving real issues faced by post production facilities all over the world and has been tried and tested on over 45 feature films and hundreds of commercials and music videos, including Flags of our Fathers, King Kong and The Day After Tomorrow. Nuke began as the in-house compositing and effects application at Digital Domain, where its development team were awarded a Technical Achievement AwardВ® from the Academy of Motion Picture Arts and ScienceВ®. If you are in the business of creating high-quality digital images Nuke is a production proven visual effects tool that brings speed, functionality and flexibility to your VFX pipeline. Nuke is a powerful compositing application that delivers unparalleled speed, an efficient multi-channel scanline rendering engine, and a first-class feature set that is unrivalled in the desktop market. Loeb tried for one last such push on his way out the door, but unfortunately, it was one push too many.The Foundry NUKE - РїСЂРѕРіСЂР°РјРјР° РґР»СЏ СЃРѕР·РґР°РЅРёСЏ СЃРїРµС†СЌС„С„РµРєС‚РѕРІ РІ РєРёРЅРѕ Рё РІРёРґРµРѕ. In doing so, it completely sours Loeb's departure and the end of a run that, while not always successful, was reliably entertaining and pushed the characters in some interesting new directions. It not only doesn't answer the previously raised questions about his past, it leaves the character in a worse, more confusing, place than he started.

But as an 'origin' for Shatterstar, it's a complete failure. As a Mojo story, this is fine, I suppose: it lacks the satirical elements of a good Mojo story but does present him as a worldwide threat for one of the first times, and it certainly plays all the hits in terms of bringing in the various Mojoworld characters (not that they have much to do, thanks for showing up regardless though, Dazzler). By specifically setting out to address the Shatterstar mysteries he himself introduced, and then failing to do so, he's essentially pulling a narrative bait-and-switch. Certainly, there is nothing wrong with a writer leaving narrative breadcrumbs for a subsequent writer to follow (even if the later writer ultimately declines to do so) but Loeb is doing much more than leaving breadcrumbs behind here. This story provides no answers, and with Loeb's departure, he takes whatever ideas he originally had planned with him. The 'Shatterstar Saga' concludes, with Shatterstar's soul being placed into the body of Benjamin Russell, the mental patient who is physically identical to Shatterstar, which is presented as if that answers all the questions raised about the two when, in fact, it does nothing more than suggest even more questions.

On Mojoworld, X-Force stops Mojo's broadcast, then return home to their teammates, unaware that they're being watched from afar by Gamesmaster.

Longshot then performs a ritual in which Shatterstar's soul is placed in Benjamin's body, at which point he wakes up with all of Shatterstar's memories.

Spiral then delivers them to the Weisman Institute, where Siryn brings them to the comatose Benjamin Russell. As the rest of X-Force and Longshot's rebellion fight to destroy Mojo's broadcasting capabilities, Spiral teleports Longshot and Spiral into the holovid program where they retrieve Cable & Shatterstar. In Mojoworld, Spiral approaches Longshot and X-Force, telling them she can help save Shatterstar. Meanwhile, Mojo is absorbing all the ambient energy from the humans captivated by his broadcast, growing more powerful. Having been digitized by Mojo, Cable & Shatterstar are stuck in a holovid program depicting Shatterstar's final battle with Mojo 100 years in the future, during which Shatterstar suffers a mortal injury.

Nuke 10 x-force